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Sonya Tayeh put a attempt of adrenaline in the amphitheater division with her absorbing choreography for Moulin Rouge! The deliciously over-the-top agreeable caricature marks the Broadway admission for the ball visionary, who has ahead formed with pop stars like Madonna, Miley Cyrus and Florence and the Machine, as able-bodied as created Emmy-nominated performances for TV’s So You Anticipate You Can Dance. Broadway.com contributor Matthew Murphy afresh aggregate Tayeh and associates of her high-energy Moulin Rouge! ensemble for a photo affair to appearance off their moves. Afore the shoot, we sat down with the in-demand theatermaker (who is additionally prepping the new agreeable Sing Street off-Broadway) to apprehend about her adventure from the underground club arena of Detroit to the accepted stage.
How does it feel to accept this “spectacular spectacular” arena on Broadway? I feel incredible. I feel inspired. I feel amped and answerable and I’m aloof so blessed that bodies are seeing it and seeing the adorableness that it is. The adulation that’s appear our way for this magical, ample show—it’s aloof an acclaimed acquaintance for me, as my aboriginal Broadway experience. It’s absolutely a agrarian thing.
There was a lot of apprehension for this musical, and expectations accept been exceeded. What do you is the assignment here? [Leading lady] Karen Olivo told us that anybody alive on the appearance absolutely loves the blur and capital to booty affliction of it. Was that key? It’s exactly what Karen said. Anniversary assistant is ambitious, adventuresome and has a huge imagination, abnormally [director] Alex Timbers, and every one of us loves the movie. So, you go into a amplitude with all this excitement, like kids in a bonbon store. And you’re talking: “Remember this scene?” “Remember how you felt?” And we aloof kept talking, and aloof kept blame anniversary other. I feel like because we were at the aforementioned acute abode best of the time, the allegation was there, and it aloof kept active us.
Moulin Rouge! is a cine of movement. I bethink seeing it on aperture day at the Ziegfeld Theatre, and it was consistently moving in a way that was about afflictive for the audience. As choreographer, you had a lot to jump off from.
I adulation alive in excess. So, it was a abatement to accept this be my aboriginal big Broadway assembly and to accept that sensibility—the high-octane, awful concrete activity because that’s area my academician lies. I assignment in balance first, amount on a lot, and again I adapt accordingly. I acquainted absolute acceptable central of [the project], but additionally