300 Things You Should Know Before Embarking On Shakespeare Et Tu Brute – Shakespeare Et Tu Brute
This arrangement of “Julius Caesar” by the Seattle Shakespeare Company will activity a few surprises. It is a automated assembly with a chase and gender-diverse cast. With no assured villains and heroes, this ballsy account of political abomination has an agreeable narrative. But aback said abomination feels tepid, hiccups are added conspicuous, abrogation admirers associates abandoning the bad, rather than the good. Now assuming at the Cornish Playhouse, “Julius Caesar” gets the job done, but it’s problematic.
Here’s the gist: It’s age-old Rome, and Julius Caesar has alternate from war victorious. His capacity Caius Cassius gets anxious and batty about Caesar’s popularity, so he goes to try and argue Marcus Brutus to annihilate Caesar afore he becomes emperor. Spoiler (but not really): Cassius, Casca, Brutus, and their allies ache Caesar to death, and Antony gives a accent that causes them to anarchism their way adapted out of the city. Brutus and Cassius accumulate an army and they activity the armament led by Mark Anthony. Lots of association die.
Director George Mount’s adjustment pays admiration to a actual acceptable assembly of “Julius Caesar” afterwards abeyance (the ambience in Age-old Rome, the clothes traditional, the technology and architectonics historically appropriate, etc.,) but afore intermission, “Julius Caesar” takes abode in abreast Washington D.C. The white, columned architecture area the aggregate of the activity takes abode works both in avant-garde D.C. as able-bodied as age-old Rome. Set artist Craig B. Wollam’s beheld nod to the story’s aeon works well.
However, perched in anniversary top-corner of the date are a array of bright, loud televisions arena a beck of cable account and political punditry. The televisions advice authorize the setting, but they’re actual distracting. Many times, the televisions are not muted, so the choir of the newscasters will action with the choir of the actors. And the agreeable (as able-bodied as the language) of any Shakespearean assembly cannot allow any distractions. Blink, and massive plot-points get lost.
Before intermission, the casting wears avant-garde attire. Afterwards intermission, the casting inexplicably wears age-old Roman attire, affronted into action clad in gladiator sandals, alternation mail, and Roman soldiers’ helmets (the ones with the horsehair Mohawks). It’s a ambagious best to backslide aback so abruptly.
Brutus and Cassius’ complicated, circuitous accord is handles with aggressiveness by Bradford Farwell as Cassius and Reginald Andre Jackson as Brutus. Farwell Cassius never absolutely all-overs off the band of all-overs accompanying his every move, as adumbrated by his continuously clenching fist. His afraid activity is fun to watch. Jackson’s appetite for ability is gradual, authoritative his blast with Cassius that abundant added satisfying. Chantal DeGroat’s Casca best melds